The range of the album is limited, focusing mainly on a mellow pop, sounded like a Zanex'd, older Bright Eyes.
At times there is the feeling that Warmsley's vocals have been overlaid onto a separate backing track, a feeling which adds positively to the nature of his songs rather than detracting, providing an odd stereophonic effect, with his voice entering in one ear, and the music another to meet somewhere in the pleasurelaxation centre of the brain (more usually associated with massages and happy endings) which should be a real term and I'd like to continue pretending it is if the world is somehow in such a sorry state of affairs that it is not.
Another quirky quality to Warmsley's voice is that at times he can have it step back into the music, to become another instrument.
An excellent easy listening CD, if it's going cheap, it's more than worth the commitment to add into the shuffle for your playlist.