Showing posts with label The Cast of Cheers. Show all posts
Showing posts with label The Cast of Cheers. Show all posts

Tuesday, 10 January 2012

Another spurt from the Aur-Dys crucible

If James Blunt was whiter, and had been raised by Jamie T and Mike Skinner on a diet of fluoxetine and warm milk, you may come close to the pop cheer that Steve Appleton has been spreading across the globe.

A catholicon to the contemporary over-riding wave of depression, he has been cresting the peak and enjoying a stratospheric career for one so young.

Incredibly televised, although mostly abroad, in Singapore he was seen by over a billion people, and he's also supported The Saturdays and the Pussycat Dolls, although I'm unsure if he managed all ten at once, split them in half (ahem) or gave a more dedicated service.

The smile gained through listening to his songs seems to enter the hind-brain and creep up through your face, no doubt originating upon his own Charlie Simpson-ish features.

I may be sounding bitter, but cheery pop tends to not be my thing, as it messes up my ascerbic pH balance, but Appleton I likes, and he perks my corners, if you know what I mean.

And if you don't, click play, have a listen, and watch your face in a mirror.




An incredible force, The Cast of Cheers have sprang up out of nowhere with an unbelievably mature sound and ethic. Sounding like a mash-up of the Foo Fighters and Blood Red Shoes, they'll be bringing pop music back to the edge and riffing into the wind.

With music that seem purpose-built for back-bar gigs and pop-mosh crowds, their fan-base is already huge and still growing.

Be wary, as a simple click may very well start a new addiction in your life.




Returning home to my more sepulchral nature, Zambri are a new-ish band with the choral, electronic goth-grunge taint of the 80s. Calling up Kate Bush and Siouxsie Sioux, the Cocteau Twins-headed (well, they're fronted by two sisters, but I wanted the reference) 5-piece are keeping it pure and simple - which isn't just Hearsay (ouch, sorry, that was terrible) - with their sweeping backings and vocally-charged songs. There has been some interesting re-interpretations of their work however, most notably a remix by Does It Offend You, Yeah?, which is more than worth a look.